Lords of Kilbourn

http://www.authorhouse.com/BookStore/ItemDetail~bookid~51832.aspx

""…If I did venture up there, I would need a gun in case it was a setup or something. I didn’t know if the suspicious intruders would turn out to be playing a game of entrapment. They lure you in and then the game is all over for you…”


A compelling story, based on actual events, of one young man’s struggle to survive the urban nightmare of gang life in Chicago. Starting by giving the reader a reviting look into the often disturbing history of the gang he was a member of, Scott goes on to narrate the gripping story of his life as a gang-member. Whether you live in a city or not, whether you have kids or not, this book is a must-read. Violence, poverty, drug abuse, and frustration combine to fuel the undercurrents of gang culture that affect us all!

Were you a member of one of Chicagos Stone Greaser clubs? If you were, or are, we REALLY want to hear from you! All clubs, all members are welcome. If you were in an opposition club, you're welcome too. Those who come with respect are given respect.

Check it out, tell us your view of things, give us another perspective!

http://pacman712.proboards54.com/index.cgi

Back in the day, I personally had quite a few designs printed up displaying a Klansman or two. To be perfectly honest, I was not doing it to show racial superiority. Yes, white pride, but not "shave your head and disgrace a synagogue" pride. My intent was just to alienate the enemy. Additionally, the Maltese Cross was difficult for me to draw; you needed a damn ruler or edge of a book to get the thing angled just right. The Klansman was just easier to draw out. I could have drawn out an actual figure of a Gaylord but that was a pain in the ass to show intimidation through. I was watching a documentary once about animated cartoon characters, where a veteran animator explained that there were so many animal cartoon figures in films, because they are easier to animate or get moods across, then drawing out a person. Thats why you see so many cute creatures and, "brought to life" objects, in classic cartoons. I believe the Gaylords used the Klansman, mainly because he was worth a 1000 words- of fear.

I fully realize that a prejudicial lash strikes out when an individual views these particular cards, but it is not an extreme White Power stance as it seems to dictate. I am sure that the PR and Mex gangs did not realize how we perceived their flags that they displayed, or their use of "Spanish" or "Latin" in their name. It all hit a nerve with us for sure. Our view was that they wanted to defiantly stay whole and not peacefully assimilate in to our culture. In the Gaylord documentary by Gangfilm, I believe Butch said it best when he disclosed that we were not fighting a racial war but a cultural one.

Too bad I used a Klansman as much as I did, for as we all reflect upon the Gaylords now, the real message and image of our club is distorted by the paper propaganda that remains today. Truth was; we were Great American Youths, not cheerleaders for Hitler.

Now on YouTube: This film managed to convey, in twenty minutes, the desperation and exhilaration of being a member of a White club in the midst of Chicago's turbulent and violent era of neighborhood change.

There is no acting. All of the dialog is spoken by those who lived through those times, the places we see are all real, the young lives ended tragically close to our hearts.

When we speak or think of White youth today, it is invariably in terms of privilege. We think of suburbs, private schools, and so forth. This is far from the reality, and seeing and hearing the men in this film should remind us, brutally, of the often violent struggle of White youths to maintain a sense of identity and belonging in their neighborhoods and their schools. There is nothing racist in this-quite the contrary. This is survival, plain and simple

Great American Youth

Latino thugs indiscriminately murder blacks regardless of gang membership, genocidal purge aligns with radical Aztlan theology

Racist Mexican gangs are indiscriminately targeting blacks who aren't even involved in gang culture, as part of an orchestrated ethnic cleansing program that is forcing black people to flee Los Angeles. The culprit of the carnage is the radical Neo-Nazi liberation theology known as La Raza, which calls for the extermination of all races in America besides Latinos, and is being bankrolled by some of the biggest Globalists in the U.S.

http://prisonplanet.com/articles/january2007/230107Gangs.htm

http://www.prisonplanet.com/articles/january2007/220107mexicangangs.htm

Great American Youth - Audience Appreciation Award

The title says it all! These were great youths! I personally know about the struggle to preserve a neighborhood. I also grew up in the tough streets of Chicago's north side. My hat goes off to these guys. White youths are often portrayed as sheltered or that they know nothing about being poor. This was a struggle about identity, not one about money like most gangs today. These young men were misunderstood and treated like ordinary modern-day thugs. Everyday they found themselves more alone against newcomers. Ultimately, I strongly believe that these men went out like lions. No modern-day thug will ever experience the passion and the struggle to preserve ones land or territory. Itl.Plby. Elmwood Pk Sect.

I got great news today. The documentary short film has been accepted into it's first festival, the 2006 Chicago International Short Film Festival. The name of the film is called "Great American Youth". The Festival is Sept 29,30 and Oct 1st of 2006. That's the last Friday, Saturday and Sunday of this month. I am not sure which exact day and time is the screening(s). They will let me know later on as they finalize the schedule in a week or so. I'll post updates as soon as I get precise details.

The location of the festival is at the Davis Theater 4614 North Lincoln Ave. Chicago IL, 60625.

Here is a brief synopsis of the film:This short documentary film (18 min 58 sec) is a historical overview of the evolution of Chicago's Largest White Street Gang, The Gaylords. It follows them from their inception in the 1950's until the Present Day. The piece explores what happened when the neighborhoods got marginalized because two cultures could not assimilate. Simple questions like the why, what and how lead to brutally honest responses from members in how they dealt with their opposition. A vivid recollection of what it took to walk the mean streets of Chicago as a gang member.